A 120-year-old book connects us with Alabama’s past and future

A hidden text in an old book reminds us of why we’re here.

It’s a wonder that a state with so much biodiversity isn’t also considered
a leader in the study of that diversity.

But oddly, in the early 20th century, it was — in large measure because
of the efforts of a German-born amateur botanist, Charles Mohr. In the
1850s, after travels through Europe, New England, California, Mexico
and a number of tropical countries, Mohr opened up a pharmacy in
Mobile. A pharmacist in those days wasn’t so much a pill pusher, but a
compounder of herbs whose success often rested on a knowledge of
local plants. Mohr took that plant knowledge to a new level, and
produced what has to be considered the first great comprehensive
state botany, which became a model for botanists in other states.

Mohr’s Plant Life of Alabama, published in 1901, is now a treasure for
botanists studying the Southeast. Mohr’s work was so revered that his
name was attached to many Southeastern species – I remember him
every time I see the distinctive moon-yellow flowers of
Silphium mohrii, a species almost entirely restricted to northeast Alabama.

We’ve discovered many species since Mohr first published that book,
but many of us still carefully sift through our fragile old copies, looking to
find Mohr’s astute observations about plant communities in Alabama –
sometimes, sadly, the last observations made before those communities
were obliterated. The book has never been “digitized” to my
knowledge, and even if it were, there’s something about holding an old
copy of Plant Life that is almost as rare and exciting as finding Mohr’s rosinweed in full bloom.

And that’s why Jackie Palmer’s recent gift of Plant Life of Alabama is so
special to us.


Books have a life and history. Not just the text. But the pages themselves,
the worn cover, the grease marks of having been thumbed through,
the first owner’s name scribbled proudly on the opening pages, the
marginalia of many minds making notes about what they’ve read.


So there’s something that can be read in the bindings of a book that
can’t be read on the internet. And the more owners and readers who
handle the book, the more likely it is that the book will take on new
meaning. It’s a ghost text that much-handled books have.


That’s one of the exciting and challenging things about being gifted
much of E.O. Wilson’s natural history library – thanks to Ed’s long-time
assistant Kathleen Horton. Many of those books were so rare when first
printed, they are precious resources for us even if they had never been
opened. But the real history of that collection lives in who used it, who
made notes, who drew the tiny perfect pictures of ants, who sent the
books and who received them.


Even as we begin to develop our own server to store electronically all
the data and all the studies we are producing, we can’t seem to free
ourselves from the science of old books. And fortunately for us, the folks
at City Lights Bookstore in Sylva, North Carolina, and Jackie Palmer in particular, added significantly to our collection.

The copy of Plant Life of Alabama that Jackie gave us was as clean
and undamaged as a 120-year-old book could be. But as with so many
of E.O. Wilson’s books, there was a ghost text hidden in the end papers:
“HAGleason Nov. 14, 1903.” Shortly after this book was first published,
one of the most famous botanists in North America, Henry Allan
Gleason, carefully inscribed his name just inside the cover. That’s some
of the best evidence we have that Alabama’s first botany influenced
the development of Gleason and Cronquist’s Manual of Vascular Plants
of Northeastern United States and Adjacent Canada, which became
the most influential North American botany of the mid-20th century.


Gleason’s legacy was broader than the Vascular Plants volume. He was
director of the New York Botanical Gardens, and in many ways the E.O.
Wilson of his day, attempting to rethink unfounded notions about how
ecosystems assemble and fall apart. His concepts are still controversial,
but they marked an important turning point, as people began to
recognize that ecosystems weren’t monolithic and unchanging, but
often frequently changing associations of species whose fates could be
independent of the systems they were found in. That’s an argument that
our founding scientists, UCLA’s Stephen Hubbell and Ed Wilson, could
spend many days debating.


Understanding that relationship between species and ecosystems is still
a perplexing problem, and one we’re deeply involved with at Paint
Rock. It’s as if Gleason’s inscription in Plant Life of Alabama is a hand
reaching out to us from the past, guiding our research on the future of forests.

City Lights bookstore and Jackie Palmer also presented us with another Alabama book
treasure. This copy of Birds of Alabama was owned by Frank Hahn, who lived on the
Mississippi and Alabama border, and whose included notes on bird sightings in the area
offer another ghost text that we’ll be studying.

The copy of Birds of Alabama belonged to a man near where Bill was born and raised in Mississippi, he know the area well.

When Jacksonville State meets Paint Rock, art and science converge

Life, fortunately, is complicated.

Tim Lindblom’s life got a lot more complicated recently when he was
appointed interim dean of the new college of Arts, Humanities and
Sciences at Jacksonville State University. JSU had formerly siloed
Sciences and Math in one college, where Tim was already building a
reputation as Dean. Arts and Humanities was neatly isolated in another.
Now Tim, the cell biologist who sometimes teaches fly fishing, is
managing art, music and drama majors along with biologists, chemists
and mathematicians.


Tim has long taken an interest in our work here at Paint Rock Forest
Research Center. But his new-found complication is already proving to
be a boon to us. Tim brought faculty from art AND sciences to explore the potential at Paint Rock. And each of those faculty members
brought their own wonderful complications

Depending on whom you talk to, Jimmy Triplett is either one of the best
old-time fiddlers in the country, or the top researcher on the genetics of
North America bamboos. You can find his recordings of West Virginia
fiddle tunes on many internet sites (Kathy Horton and I have a special
fondness for Shakin Off the Acorns, and Jimmy’s version is the best since
Edden Hammond let loose with it a century ago). While you’re listening,
you can wonder, as I do, how Jimmy had to time to make Alabama the
center of bamboo diversity and bamboo studies in North America,
identifying two very distinct species new to science.

Bryce Lafferty, Department Head of Art and Design, is an artist whose
watercolors are geological, ecological and mystical all at once,
exploring the deep strata of rocks and stream and forests and turning
them into scenic anatomies of earth. If you see his work, you’ll
immediately recognize why he would be taken with Paint Rock, where
mountains plunge into caves, and the innards of earth have been sliced
open for all to see.

Tenzing Ingty is a conservation biologist and superb photographer
whose beautiful book about a biological hotspot in the Himalayas has
drawn wide praise. Tenzing’s range of scientific vision is immense. He’s
focused one week on the difference in flower evolution in tropical and
temperate plants, and the next on human social interactions with
natural systems and the growing impacts of climate change. He’s seen
surprising similarities in Alabama and the Himalayas, and I think he may
have even been impressed by the steep ride up to the top of the
preserve.

These are all scientific artists, and their broad, interdisciplinary
perspectives on nature are precisely the kind of complications we hope
to encourage here at Paint Rock. Tim understood that all along, and we
look forward to working with him, with these, and with others at JSU over
the next few years, fiddlers, photographers, watercolorists, geneticists,
evolutionary biologists and all.